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Sounds From The Shelter

Published: 26 January 2018

Art+Text Budapest is delighted to present the second solo exhibition of the young painter, Ádám Dallos. The exhibition titled Sounds from the Shelter presents a selection of dramatic paintings from the series Horses on Riverside alongside with two newer editions of the pink boy nudes from Slaughter Landscapes. Sounds from the riverside, songs from the stable, clatters from the shelter. The mute projections of the inner tornados of the soul, the birth of a new totem animal.

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Hyun-Sook Song at Zeno X

Published: 24 January 2018

Hyun-Sook Song was born in 1952 and grew up in a mountain village in Korea. In 1972 she travelled to West Germany and soon after that she began to draw and to paint. In doing so she often gave voice to her nostalgic memories of her beloved motherland. Over several decades she created paintings with only a handful of motifs or themes: clay pots, silk ribbons draped around posts, or woven textiles hung on a
thread. 

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Darren Bader at Sadie Coles HQ

Published: 22 January 2018

Darren Bader’s third exhibition at Sadie Coles HQ, more or less, revolves around ideas of exchange, authorship, and the boundaries of the art object. In a series of installations, videos, and texts, Bader extends his use of the found object as a literal and conceptual fulcrum – deploying it as absurdist intervention and index of mundane reality.

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André Butzer at Max Hetzler, Berlin

Published: 18 January 2018

For the first time Galerie Max Hetzler presents such a comprehensive selection of works by André Butzer in two parallel running exhibitions. The gallery space at Bleibtreustrasse displays recent paintings from 2016 and 2017 as well as a new artist book – created in collaboration with Hans Werner Holzwarth (Holzwarth Publications). Whereas the space at Goethestrasse ofers an insight into the early work of the artist with paintings from 1999 to 2008, selected from private collections.

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Collector Wolfgang Hahn and the 60s

Published: 18 January 2018

In the 1960s, the Rhineland was an important focus for massive changes in contemporary art. A new internationally networked  generation of artists turned away from traditional notions of art. Inspiration came from everyday life. Everyday objects became the material for art. These artists worked in urban contexts,  they broke across  the borders between disciplines, and they collaborated with musicians, writers, filmmakers and dancers. 

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